A small man in a badly made suit, a hat jammed on his head and an empty pipe between his lips, is walking down the street towards the tram, with a small boy attached to one hand, in turn clutching a mouth organ. Around him are men in uniform, loud gossipy women on the corner, the rattle of horse-drawn carts, the smells of sulphur, oil, coal and sweat. On the walls as he passes, lurid recruiting posters urge him to join the lads in France, to fight to save his women from the Hun, or simply exclaim that his country needs him. Head down, fingering his last stiff collar, he disappears into the crowd gathering by the tram stop. The streets are shabby and the war news is terrible. There is a faint sound of the mouth organ being played. Who is he, this man? What does he do? Does he have a wife at home, her hands coarsened with heavy washing and scouring, but her bread smelling sweet?